The Bad-ass Women of The Apocalypse

Unforgettable Charlize Theron as Furiosa in Mad Max Fury Road (Warner Bros. 2015)

Are you old enough to remember how much the role of females in post-apocalyptic entertainment has changed since the ’80s? The scantily clad women clinging to a male for rescue transformed into triumphant heroines from the late ’70s to the early ’90s.

A few breakthrough roles in blockbuster movies opened our eyes to female protagonists who are at home among blood-spill and action. To name a few: Sarah Connor (played by Linda Hamilton in Terminator 2: Judgement Day 1991) and Ripley (starring Sigourney Weaver in Alien 1979). After these ladies kicked some serious robot/monster butts, nothing was the same.

The powerful & gorgeous Tina Turner as Aunty Entity in Mad Max Beyond Thunderdome (Warner Bros, 1985)

You don’t need to wield a samurai sword like Michonne in The Walking Dead, or bust nuts like the enhanced Alice of Resident Evil. Women have various charms & capabilities of their own. Modern writers have put them to good use. In recent years, fans of the post-apocalyptic genre have met Offred from The Handmaid’s Tale (TV-series after Margaret Atwood’s classic book from 1985) and other characters who ooze internal strength. In The Book of Eli (2010), Solara (played by Mila Kunis), rises to the occasion in the end of the film.

The allure of the post-apocalyptic genre is to see how characters manage to survive according to their capabilities. The road to salvation can wind a thousand detours. Those who collect food, take care of others and fight for their loved ones, rise to the occasion when the world ends. I would love to see what brave children can do, or pets! Where are the elderly?

More Post-apocalyptic Books and Movies

The image below: What a mother lioness! Linda Hamilton as Sarah Connor in Terminator 2: Judgement Day (Tri-Star Pictures, 1991)

Five books with apocalyptic women:
https://www.tor.com/2015/11/18/five-books-that-give-women-their-apocalyptic-due/

Badass Girls of the Apocalypse:
https://www.postapocalypticmedia.com/badass-girls-women-of-the-apocalypse/

How to be a woman through the fictional apocalypse:
https://www.kqed.org/pop/104874/how-to-be-a-woman-in-the-fictional-apocalypse

The 50 best post-apocalyptic movies:
https://ashtales.com/post-apocalyptic-movies

The 30 best post-apocalyptic movies of all time:
https://www.gamesradar.com/best-post-apocalyptic-movies/

If you love strong females in post-apocalyptic stories check out Unholy Warrior by Rebecka Jäger:

Nuclear war plunged them into perpetual winter. The survivors must rely on their wits and courage. Beware—you never know who wants to stab you in the back. If you’re a fan of Snowpiercer or the Mad Max movies, you’ll love this post-apocalyptic survival story with fierce females taking the lead. Plenty of action!

Post-apocalyptic Survival on Kindle Store and Character Writing Tips

Nuclear war plunged them into perpetual winter. The survivors must rely on their wits and courage. Beware—you never know who wants to stab you in the back. If you’re a fan of Snowpiercer or the Mad Max movies, you’ll love this post-apocalyptic survival story with fierce females taking the lead. Plenty of action!

The e-book is $0.99 for a limited time on Amazon

GET THE E-BOOK NOW

Also available as paperback and hardcover.

On inspiration and fictional characters

I love George Orwell’s 1984. Everyone had to read this dystopian nightmare at school and the teacher didn’t accept no for an answer. I was 14 when the jubilant year 1984 came around. I loved sports: reading was my least favorite pastime. I’m glad she forced me because the book blew my mind. I cried when I reached the ending (a masterful approach to spiritual death).

So you have that Finnish teacher of literature to thank for my books (and this blog). I’ve dreamt of writing like Orwell and my dystopian book, Unholy Warrior stemmed from that dream. I put my main character through some horrific ordeals but I think the rat cage in 1984 is far worse.

I’ve read Orwell’s classic dozens of times, and each reading reveals a new layer. His characters are living, breathing people, and the English language easy-flowing, hinging on perfect.

Everyone knows that book because George Orwell foresaw the use of audiovisual equipment to spy on citizens- a nightmare all too real after the digital revolution. For me, the book is memorable because of Winston Smith and his doomed love affair with Julia.

Happy writing!

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How To Write Dystopian Books

Apocalyptic landscape

What is Dystopian?

“Dystopian fiction offers a vision of the future. Dystopias are societies in cataclysmic decline, with characters who battle environmental ruin, technological control, and government oppression. Dystopian novels can challenge readers to think differently about current social and political climates, and in some instances, can even inspire action.”

Source: https://www.masterclass.com/articles/what-is-dystopian-fiction-learn-about-the-5-characteristics-of-dystopian-fiction-with-examples

What is Post-apocalyptic?

“Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction, science fantasy, dystopia or horror in which the Earth’s (or another planet’s) civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, such as an impact event; destructive, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or more imaginative, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.”

Source: https://en.wikipedia.org/wiki/Apocalyptic_and_post-apocalyptic_fiction

Laws of Causality

So, anything goes because we can write whatever we want? Well, yes, and a huge NO. Creativity is a good thing when you dive into a bestselling genre with an original storyline. But we’re talking about twisting the course of history. And if you believe my professor, there are laws to obey.

You have to explain what went wrong before your book’s moment of now, but the chain of causality must be plausible. Some sub-branches of the dystopian genre-tree inch toward Sci-fi. If you want to sound the trumpet of doom about the dangers of gene manipulation, you’ve got heaps of research to do. 

What about totalitarian governments? Look at today’s political turmoil. That should be easy to write because so many movies and books have leveled the way. But think of Orwell’s 1984: George never skipped a lesson in political history. His book leads the moneymaker charts today because he wrote a detailed vision of the future. And we might already live in it. That’s how believable his theory is. And if you skipped the boring stuff of Winston Smith holding the secret book of the resistance, read those pages before you write another Hunger Games. I’m not ditching Suzanne Collins, to the contrary. She wrote a cruel twist: reality television.

World-building 

Writing the dystopian or post-apocalyptic genre requires ample world-building skills. What went wrong with humanity or the environment? Did the aliens destroy the earth? Your future must root itself in today’s politics. The causes of destruction convince the audience that your book can take place in the not-so-distant future. You also need to explain why a handful of people continue to survive.

The Author Interviews

Harper Maze and Sevannah Storm answered my in-depth author interview. These two brave souls have unique views on the causes of the Armageddon. Their answers reveal exciting aspects of the dystopian and post-apocalyptic genre. And they’re amazing writers. Read and learn.

Harper MazeSevannah Storm
1. Tell us about you. Who are you?
Harper Maze. I am from the UK, lived all over the country but currently on the coast in the South East along with my amazing wife and two adorable cats. As well as writing, I have a full-time job as an IT specialist in the Banking industry and include playing top level sports in my past too.Call me Sev. I’m a Christian writing romance, amongst other things. I tried for something less romance and more YA dystopian. Invasion is my first novel in this genre. I have another in mind. I’m finding it quite challenging not to amp the sexual tension.
2. What are you working on now?
I always have two projects on the go, so while a book is out for editing, for example, I can work on something unrelated and return to the other project fresh. I am currently working on my Dystopian Sci-Fi series “Heir of God” and an action-thriller series featuring a character called Savanna Steel too.I finished Invasion on the 20/02/2020. My next project is called Chrysalis. An impending asteroid collision with Earth has the world in a panic. Tara’s family is one of the chosen few to board the ship escaping the planet. This is her story.
3. Why do you write dystopian or post-apocalyptic stories?
Told well they can have impact on readers. There are many things that occur in society that we should pause and reflect on. Dystopian fiction gives us a platform to present possibilities, and the fantasy or Sci-Fi genres provide a good backdrop, at least for me. My hubs challenged me to write a different genre and so Chrysalis and Invasion came into being.
4. What do you love and hate most about the dystopian genre? Any cliches which infuriate you?
I love different approaches to the genre, especially the ones that challenge the status quo. There is a lot of Dystopian fiction about, so finding a new theme can be a challenge. Personally, I am not into Zombies or post-Nuclear war.I love: The high stakes. Life and death situations once more impact our lives. I feel we’ve become complacent. I also love the stretching of my imagination. Science Fiction and Dystopian = entertaining, mind-blowing imagery and concepts.
I hate: How only young adults survive. Gimme a few elders to guide them. Some follow the Lord-of-the-Flies approach; I wasn’t fond of that story.
5. Name your favorite dystopian movie. Why did you choose that one?
This is an easy one for me: Blade Runner. Aging myself, I watched this when it first came out and it was awe-inspiring. I read the novella (Philip K. Dick's ‘Do Androids Dream of Electric Sheep?’) not long after.Bladerunner. The legendary cinematography on it was ahead of its time. Even the soundtrack is breathtaking. Not to mention, it’s a unique premise that deals with human hatred towards synthetics.
6. Why is dystopian such a popular genre of literature?
I believe we live in troubled times, with Global Warming, a growing desperation for power sources as the natural resources become depleted, the threat of nuclear war. Dystopian fiction allows writers and their readers to ask the ‘what if?’ questions. We’re morbidly fascinated with our own demise. It’s also more plausible than a zombie apocalypse. Whether we bring about our destruction with global warming, nuclear war or nature tosses in her hand with solar flares or super volcanos, it could happen tomorrow. Deep inside us, we want to believe we’ll make it and dystopian stories have hope as the currency.
7. YA versus adult dystopian: what's the difference?
From speaking to people, I think that many adults like YA fiction. YA is not much different other than lack of sex and (often) swearing.Simplicity: YA is one or a group of individuals against the cause or corporation and through sheer will and enthusiasm, gain victory.
Adult dystopia has layers; emotional investment where we buy into the villain’s purpose and each aspect has a meaning; the décor, weather, fashion, technology and moral ambiguity the main characters work through.
8. What are the biggest misconceptions about this genre?
It’s not all zombies and nuclear war. There are other ways the planet is being damaged. That we can win against all odds. Independence Day/War of the Worlds: we gave the aliens a cold! Hunger Games: one woman defeats them all. Battlefield Earth (the novel): Jonny kills an entire species.
9. Name the best subgenres for dystopian literature. Which of them fascinates you particularly?
We tend to need to label everything 😊 Dystopian is also subgenre, but there are many themes based on the setting; fantasy, Sci-fi, urban, apocalyptic. My preference is those based on Earth or Earthlike planets. Ecotopian, Society, Environment, Politics, Religion, Totalitarianism. I prefer Ecotopian. I like to imagine a world where something not caused by us brings about our downfall…in the wrong place at the wrong time, whether from solar flares, asteroids or aliens.
10. Do you think that every writer should try writing a dystopian story at least once? Why: yes/no?
If they have a story, and a theme to tell in the genre, yes.Yes. Writing out of your comfort zone challenges the writer; whether it is poetry or historical fiction. The same applies to dystopian; broaden the stagnant neural pathways of our minds but in the end...just tell the story.
Harper MazeSevannah Storm
11. Who do you write to? To yourself, to the public? For fame or money?
I’ve always enjoyed writing and have written for myself and people close to me. However, I beleive I tell a good story and it’s been a dream of mine to have books available for people to read. I have never sought fame. I write for the day I can be free to do it full-time. I would love for all my stories to find publishing homes, for someone, be it agent, publisher or reader, to embrace my stories, to enjoy them.
12. How do you research your dystopian books (history, technology, politics)? Or is everything based on your imagination?
For Heir of God, I have researched because I am dealing with current issues. My setting is an earth in the grips of a volcanic winter after fracking causes the Yellowstone Caldera supervolcano to erupt. By design, fracking causes earthquakes to extract shale gas from the bedrock, and has caused earthquakes of over 5 on the Richter scale. Fracking is still done in some geologically unstable seismic regions.Based on my imagination up until I need information like what gas is airborn and can knock out people if sprayed on them, as an example.
13. How do you find the motivation to write?
I enjoy it and I have stories to tell.The muse is an unrelenting slave driver. You may think you are done with a story and the following day he taunts you with another. The stories need to be told, so I simply type them out. I often call him—my muse, a dictator. He dictates, I type.
14. How do you beat writer's block?
I have many ideas, if one isn’t speaking to me, I put it to one side and work on something else until I hear it again.I persevere, pushing through the slow days, trusting my fingers to know what I want to say even though I haven’t formed the sentences in my mind.
15. What advice would you give to a writer who wants to create a believable & grim future?
The world/setting must be right for the character. The world needs to have rules, such as physics and gravity, light and food and society should have a structure. You can break any rules, providing this is explained. For example, the planet is not like Earth, or the person who can fly is from another planet, or the hero time-traveled. What is important is that the story follows the hero or heroes, and all the characters, be they allies, opponents or people, as well as the setting, support the hero and the hero changing from their initial broken state to a changed and aware hero at the end. Or not if they chose to ignore it.Layers and details. Start with the basics, add layer upon layer…physical environment, emotional manipulation, cultural depth and then cut back. Just because you have this massive world in mind, you don’t hit your readers with it. Imagine yourself in that world Don’t spend paragraphs describing things because you wouldn’t do that in real life.
16. What went wrong in your book? Why did humanity fail?
Frackers 😊 Fracking set off a chain reaction of earthquakes in the Mid-West USA which caused Yellowstone to erupt. The last time it did was approximately 600,000 years ago.Aliens arrived and they weren’t friendly. They use human bodies as husks...carriers while their drillships mine Earth’s core.
17. How much of your books are based on your experiences in life?
Fracking causes earthquakes is a good theme. I have met people with traits like the characters in the book because my characters are human, a mix of strengths and flaws.None, well maybe Mel’s addiction to sugar and caffeine...scarce commodities. She also does what she must to survive.
18. Describe an excellent dystopian book cover. Why do you like it?
The Hunger Games covers, with the evolving Mockingjay pin on the front are very clever. They are instantly recognizable, and they follow the theme of the trilogy. However, this series has already made it, and likely won’t work for new writers. Divergent (Veronica Roth) shows a broken city, a few key landmarks in the background and the heroine as the focus.Divergent by Veronica Roth - because of the layers. It isn’t just a single item on a cover, there’s a broken city at the bottom. Layered covers are more intriguing. Every time you look at it, you see something you missed.
19. Who makes your book covers?
A very talented lady on Fiverr.com has made all my covers. I provide a concept and some basic images and Rebeca combines them over a series of reviews to the final product.
https://www.fiverr.com/rebecacovers
My publishing house does. I tell them what I like with examples and they see what they can create.
20. Describe your ideal reader.
Someone who will take the concepts and thoughts in the book and think about them in the context of what’s happening in reality.Loyal, passionate, greedy...a cheerleader.
Harper MazeSevannah Storm
21. What inspired you to write your latest book?
I had a few ideas, such as a mass-access simulation where a blind girl could see inside the simulation but not realworld. Added to this was a dystopian message about fracking and other destructive methods for fossil fuels. I combined them into the premise “Ready Player One meets Hunger Games meets Divergent, only different”. Since I completed the first version, the world is growing increasingly concerned about climate change, and fracking has been banned in the UK. However, companies still frack within a few miles of Yellowstone in Wyoming. I write many genres, so my latest two works-in-progress are science-fiction romances. What inspired me to write Invasion; I started with a woman in a pawn store in the middle of a nowhere-town. I had images of The Host in my mind, the strange alien creatures but other than that, it was my main character that determined the genre. A kick-ass, strong young engineering student forced to join the resistance when her father is taken.
22. How do you market your books?
When it’s launched – hopefully in April, I plan to use a mixture of Facebook, BookBub and Amazon as well as bloggers and reviewers. It should be exciting for sure, especially as I am hoping to get all five volumes out in a 12-month period.That’s a tough question. I dreamed of living in a lighthouse, punching out books and never seeing a book launch. Since then, I’ve learned I need many social media platforms, book reviews, blogs etc. Ask me this again when I’ve launched my three novels this year.
23. Who is your favorite writer? Why is he/she so good?
Currently, it’s Brandon Sanderson, who is a terrific world builder. His original Mistborn series (The Final Empire, The Well of Ascension and The Hero of Ages) is an example of what I aspire to create. The way he builds Vin as a character, using the world and opponents to help her grow, is an awesome read.Terry Pratchett – there’s always something new when I reread a story. His mind was something to admire; his concepts unique and well thought out.
24. Links to your web-page, social media accounts, and blog.
Website: www.harpermaze.com

FB: www.facebook.com/Harpermazeauthor/

Twitter:
https://twitter.com/harpermaze/

Instagram:

www.instagram.com/Harpermaze/
See: https://sevannahstorm.wixsite.com/website

Twitter: https://twitter.com/sevannah_storm
Wattpad: https://www.wattpad.com/user/Sevannah_Storm (sample pages only)
Website: https://sevannahstorm.wixsite.com/website (Please subscribe to my non-spamming newsletter)
Facebook: https://www.facebook.com/sevannah.storm
Instagram: https://www.instagram.com/sevannah.storm/ (So new on this, could use some support)
Tapas: https://tapas.io/sevannah_storm (sample pages only)
Tumblr: https://sevannahstorm.tumblr.com (never on here, still trying to figure it out)
Pinterest: https://za.pinterest.com/sevannahstorm/
Goodreads: https://www.goodreads.com/user/show/95639379-sevannah-storm
Advertise your book!
“Ready Player One meets Hunger Games meets Divergent, only different”
Heir God
No book links yet, launches will be throughout 2020.

Other tips:

Do You Study Character Actors When You Plan Your Next Story? – You Should!

Glam retro diva

Do you struggle with creating characters that feel like real people? You’re not alone. The job becomes harder when you have multiple books up your sleeve. Variation is tough work, and as humans, we are tempted to repeat models which worked in the past. Beware of the cookie-cutter character!

Character or Plot-driven?

If your writing style is plot-driven, you develop the three acts and the key scenes first, and characters develop after that. Maybe the first thing you envision is the historical era or the fantasy setting with intricate maps and systems of magic?

If you’re character-driven like me, you see the characters in your dreams. You hear them talk and envision them in different scenarios. I speak the dialogue out loud and practice the expressions of my heroine in front of a mirror. I form the MC and the villain first. The conflict brewing between them becomes my main idea, and their backstories take form later on. But a character with little to do is… yawn. Many writers elevate the characterization over the plot, but if you don’t get on with the story… wham! That’s the sound your book makes when the reader tosses it to the corner and shall never pick it up. 

Which type of writer are you? Examine your preferences. 

 “It doesn’t matter how “interesting” the character is if you cannot create an antagonistic environment that chisels and defines that character. Even an awesome plot that takes the reader on the most mind-bending twists and turns will fall flat when depending on the strength of one-dimensional character. No matter how you approach storytelling, remember this: your story needs both character and plot.”

Source and more information: https://nybookeditors.com/2017/02/character-driven-vs-plot-driven-best/

Emotional Identification

Let us return to the process which actors and actresses go through as they layer their next Oscar- nominating role. Yes, they have their work cut out for them, like the screenwriters who wrote the part which snatches the attention of Anthony Hopkins or Angelina Jolie.

Method acting means a technique in which an actor aspires to complete emotional identification with a role. Method acting was developed by Elia Kazan and Lee Strasberg in particular and is associated with star actors such as Marlon Brando and Dustin Hoffman

“Method actors have this amazing ability to not only get into character but live through the character and bring an unsurpassable depth. What I love about Method Actors is that they don’t appear to be acting, they appear to be living; they know how to get into character so well that you believe they ARE the character. Lots of method actors are very humble about their work, but when you see them on stage or screen, it is electrifying, to say the least.” 

Source: http://www.standbymethod.com/how-to-get-into-character/

As a practice, compile a Pinterest moodboard of your favorite movie actors in their most bedazzling roles and compare them to their photos taken on the red carpet. The difference between the person and the character is striking! Great actors and actresses take their roles seriously. Whatever they do, whether on stage or screen, will be forever etched either onto film or in the minds of their audience. They move hearts and will live on in the souls of their fans. The mechanism of transferring emotional identification is your aim as a writer.

Watch a clip of Meryl Streep On Accessing The Characters Within:

If you write from personal experience, you have an array of intimate emotions at your disposal, but you might struggle with transferring that emotion to the inexperienced reader. The actress uses her director as a mirror. Who do you use? Duh! Beta readers, of course. Remember to ask if they felt the emotional fireworks. This is important because the book lives or dies via Showing, Not Telling. The audience experiences what your Point-of-View character senses with his eyes, nose, ears, skin, and so forth.

Remember that the reader must also understand the villain on some human level, and you are responsible for making that happen. A character actor villain has what’s called a presence. When he steps on the stage, he rules the scene. How does that happen? You’ll feel the tingling on your skin and the chills down your spine.

Ruining Your Favorite Movie

Warning: using my method might ruin watching movies for you. Like when you started learning the craft of authorship, which spoiled the enjoyment of a great book. That’s because you know how the chassis works and cannot see the beauty of the Ferrari sportscar anymore.

Watch clips of great method actors in their star roles. Choose characters that resemble your own. The clips help you construct body-language and subtle expressions because method actors are rarely flamboyant—unless the role demands precisely that. Think of Joker in Batman: he’s a showman, which means he knows how to get the audience’s attention big time. Admire how Heath Ledger breathes life into the iconic villain.

The age of the internet has made extensive research more accessible than ever before. You have libraries of movie clips to watch. See how Anthony Hopkins or J. T. Walsh animates a bad guy. Who is your favorite hero? How has he aged and changed? Remember that the nature of characters is perpetual motion. Does blind idealism fill your favorite heroine, or does she come from between the-rock-and-a-hard place?

angelina

Do your characters age?

Image source: https://www.fashiongonerogue.com/photo-shoot/angelina-jolie-peter-lindbergh-wsj-2015-cover/

However, this method doesn’t allow copycatting. You shouldn’t copy a movie on paper; its a copyright infringement and punishable by law. Watching great actors at work can be compared to moodboarding: seeking material for inspiration.

Two Sides of The Same Coin

“The best and worst specimens of humanity are two sides of the same coin. Heroes and villains are not categories that are divided by the expansive sea of morality never to have their shores meet. On the contrary, both the most exalted heroism and diabolical villainy are manifestations of a human spirit that has become capable of great things. And great things need not be good things.”

Source: https://rightreason.typepad.com/right_reason/2013/04/good-evil-and-human-capability.html

What differentiates good from evil? Point-of-view. Yes, sin is relative, and you can use this in your writing because humans are a social species. Skillful actors mud their characters layer by layer, and they mirror themselves on other people. One of the best tricks you can throw at your readers is to let someone else reflect the bad guy. Describe how the military villain’s subordinates act when he enters the room. Show a conversation between the hero and his sidekick about the dark one. 

If you want to dig deeper into the depths which a character actor would use, show the villain’s first crime: when he wasn’t yet a developed killer. 

The sides of the coin are the reason why the same brilliant actor portrays heroes and villains with incredible authenticity.

More advice on designing your Villain/Antagonist: https://rebeckajager.com/2019/01/04/give-evil-the-central-stage-groundbreaking-villain-moments/

The Warrior Mindset – How to Write Compelling Action

Futuristic warrior

Have you ever fired a gun? Oh, you have- good for you. If you haven’t, find a shooting range near you or ask the local hunting club to let you tag along. Just smelling gunpowder and hearing the blast noises (through quality headphones that protect your hearing) will give you a sense of the real thing. The rest is up to your imagination…

If you are writing about military action like me, you face a tougher challenge to get the facts right. The army uses unique terminology, and the warriors have a certain mindset forged through endless drills and hard work. The NATO and European armies have slightly different rank systems.

Add in The Russian Federation, and you’re officially in the same grievous trap where I found myself when writing The Unholy Warrior. I decided to take things methodologically: I researched until my butt hurt from sitting and my fingers were raw from tapping on my keyboard.

Join a writer’s site like The Write Practice where you publish one piece a week and get critique from other writers in exchange for you doing the same for them:  www.thewritepractice.com

You can also ask some of your beta-readers to point out flaws and factual errors. There’s always someone who knows specific things because he has a military background or just because he is interested in such stuff.

facts- Get Them Right

You can also keep a memo on things which bother you and tackle the mistakes one by one. That way you can continue writing but know your weak spots need tending to.

When you’re wicked famous like John LeCarre, you can create your own terms and expect the spy professionals to start using them. LeCarre devised terms like “babysitters” and “lamplighters” to describe different guilds of the spy profession.

Gun Caliber

Writing about guns and ammo is so much easier if you have some first-hand experience. Organizations such as the NRA and various hunting magazines offer advice on shooting positions, the common aiming errors and using the best ammo to kill big game. They have some excellent info graphs online.

On shooting positions, visit: https://tpwd.texas.gov/education/hunter-education/online-course/shooting-skills/rifle-positions

Do you know what a large- caliber rifle recoil feels like? If not, chances are that a relative of yours is a passionate hunter. Go along. You might be a pest to begin with, but the odds are that he loves to ramble about duck or moose hunting forever. You’ll learn something as you sit by the campfire and drink soot pan coffee. If you’re lucky, he’ll let you shoot under his supervision. I fired my first load of shotgun pellets towards a pinetree when I was fourteen years old.

The lighter caliber .22 is the best one to start target practice with. .22 LR is found in pistol and rifle ammo.

Read about different caliber ammo and what they are used for. The numbering isn’t linear or very informative. A bigger number doesn’t automatically mean a bigger bullet! Using the wrong caliber will jam the weapon and you risk serious injury or death. In addition to numbering, the ammunition manufacturer uses a short code. For example .Win means Winchester. Your rifle carries a carved text to signify the type of correct ammunition. Perhaps “win .308” like my Tikka T1 Tactical from Sako, a Finnish company which belongs to the Beretta conglomerate.

Hunting

Three-hundred thousand people are registered hunters in Finland, and ours is a small population with six million citizens. The government demands that each hunter undergoes a series of lectures and passes the final examination before gaining a hunting license. Gun laws are strict in the European Union and especially in Finland. Yet, commercial shooting ranges offer you a chance to shoot pistols and revolvers in the heart of Helsinki, our capital. In the countryside, almost every considerable village has a shooting range nearby for rifle training. People do hunt and are passionate about it.

Hunting

“Recoil (often called knockback, kickback or merely kick) is the backward movement of a gun when it is discharged. In technical terms, the recoil momentum acquired by the gun exactly balances the forward momentum of the projectile and exhaust gases (ejecta), according to Newton’s third law, known as conservation of momentum. In hand-held small arms, the recoil momentum is transferred to the ground through the body of the shooter; while in heavier guns such as mounted machine guns or cannons, recoil momentum is transferred to the ground through the mount.”

Source: Wikipedia.

Basically, the energy of ignited gunpowder has to go somewhere. It propels the bullet out of the barrel but an equal amount of energy kicks back towards the shooter. A heavy rifle absorbs some of the energy just lessening the force which hits the shooter. That’s why sniper rifles are usually bulky. They need to be accurate. Hunting rifles, which you drag around in the forest all day through the f***ng foliage and bush, are light and thus kick you harder during firing.

In Hollywood movies, we see a pistol bullet traveling far and hitting the opponent. In real life, it’s almost impossible to hit a moving target which is running zig-zag hundred-and-sixty feet away from you. Movie heroines hardly ever flinch at explosions. In real life, the sound of a .9 causes ear-splitting pain. Not flinching (as in shutting one’s eyes tight and grimacing not so sexy-looking) takes some heavy-duty training, not to mention a possible hearing loss.

As a writer, you can decide how much reality you want to embed. If you write fantasy, just come up with impossible things. Your readers will love them. If you’re writing a spy thriller which happens in the 21st century, do some serious research.

Close Combat

Have you received a blow to the head delivered by a powerful opponent?

You don’t have to tackle a man, or a woman, with a black belt. You can gain a lot of information by taking some newbie-sissy-level classes in self-defense arts like Defendo, Karate of Krav Maga. Ask your instructor to teach you what happens if you drop your defenses. One (gentle) blow to the head, and you’ll never forget that lesson.

It amazes me how short real-life fights are. Just a few seconds and a severe injury with long-time consequences has been inflicted. The winner and looser are found out in a blink of an eye.

Writing near combat scenes usually demands some bending of reality. We writers cannot disappoint our readers by a few lines, and that’s that. No, we must write different phases, evasion moves, near escapes and grabbing makeshift things like rocks to be used as weapons.

Attending writer’s festivals and happenings can link you with your thriller writer idols:

http://thrillerfest.com/

You can always learn from the best!

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